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All That Is: A Novel.

3.1

(422)

  • All That Is: A Novel.
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Présentation de l'éditeur NATIONAL BESTSELLERA New York Times Book Review Notable BookAn NPR "Great Reads" BookAll That Is explores a life unfolding in a world on the brink of change. Philip Bowman returns to America from the battlefields of Okinawa and finds success in the competetive world of publishing in postwar New York—yet what he most desires, and what eludes him, is love. Here is PEN/Faulkner winner James Salter's dazzling, sometimes devastating portrait of love and ambition, a fiercely intimate account of the great shocks and grand pleasures of being alive. Extrait Chapter 1 Break of Day All night in darkness the water sped past. In tier on tier of iron bunks below deck, silent, six deep, lay hundreds of men, many face-up with their eyes still open though it was near morning. The lights were dimmed, the engines throbbing endlessly, the ventilators pulling in damp air, fifteen hundred men with their packs and weapons heavy enough to take them straight to the bottom, like an anvil dropped in the sea, part of a vast army sailing towards Okinawa, the great island that was just to the south of Japan. In truth, Okinawa was Japan, part of the homeland, strange and unknown. The war that had been going on for three and a half years was in its final act. In half an hour the first groups of men would file in for breakfast, standing as they ate, shoulder to shoulder, solemn, unspeaking. The ship was moving smoothly with faint sound. The steel of the hull creaked. The war in the Pacific was not like the rest of it. The distances alone were enormous. There was nothing but days on end of empty sea and strange names of places, a thousand miles between them. It had been a war of many islands, of prying them from the Japanese, one by one. Guadalcanal, which became a legend. The Solomons and the Slot. Tarawa, where the landing craft ran aground on reefs far from shore and the men were slaughtered in enemy fire dense as bees, the horror of the beaches, swollen bodies lolling in the surf, the nation’s sons, some of them beautiful. In the beginning with frightening speed the Japanese had overrun everything, all of the Dutch East Indies, Malaya, the Philippines. Great strongholds, deep fortifications known to be impregnable, were swept over in a matter of days. There had been only one counter stroke, the first great carrier battle in the middle of the Pacific, near Midway, where four irreplaceable Japanese carriers went down with all their planes and veteran crews. A staggering blow, but still the Japanese were relentless. Their grip on the Pacific would have to be broken finger by iron finger. The battles were endless and unpitying, in dense jungle and heat. Near the shore, afterwards, the palms stood naked, like tall stakes, every leaf shot away. The enemy were savage fighters, the strange pagoda-like structures on their warships, their secret hissing language, their stockiness and ferocity. They did not surrender. They fought to the death. They executed prisoners with razor swords, two-handed swords raised high overhead, and they were merciless in victory, arms thrust aloft in mass triumph. By 1944, the great, final stages had begun. Their object was to bring the Japanese homeland within range of heavy bombers. Saipan was the key. It was large and heavily defended. The Japanese army had not been defeated in battle, disregarding the outposts—New Guinea, the Gilberts, places such as that—for more than 350 years. There were twenty-five thousand Japanese troops on the island of Saipan commanded to yield nothing, not an inch of ground. In the order of earthly things, the defense of Saipan was deemed a matter of life and death. In June, the invasion began. The Japanese had dangerous naval forces in the area, heavy cruisers and battleships. Two marine divisions went ashore and an army division followed. It became, for the Japanese, the Saipan disaster. Twenty days later, nearly all of them had perished. The Japanese general and also Admiral Nag Afficher moinsAfficher plus

All That Is: A Novel.

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Présentation de l'éditeur NATIONAL BESTSELLERA New York Times Book Review Notable BookAn NPR "Great Reads" BookAll That Is explores a life unfolding in a world on the brink of change. Philip Bowman returns to America from the battlefields of Okinawa and finds success in the competetive world of publishing in postwar New York—yet what he most desires, and what eludes him, is love. Here is PEN/Faulkner winner James Salter's dazzling, sometimes devastating portrait of love and ambition, a fiercely intimate account of the great shocks and grand pleasures of being alive. Extrait Chapter 1 Break of Day All night in darkness the water sped past. In tier on tier of iron bunks below deck, silent, six deep, lay hundreds of men, many face-up with their eyes still open though it was near morning. The lights were dimmed, the engines throbbing endlessly, the ventilators pulling in damp air, fifteen hundred men with their packs and weapons heavy enough to take them straight to the bottom, like an anvil dropped in the sea, part of a vast army sailing towards Okinawa, the great island that was just to the south of Japan. In truth, Okinawa was Japan, part of the homeland, strange and unknown. The war that had been going on for three and a half years was in its final act. In half an hour the first groups of men would file in for breakfast, standing as they ate, shoulder to shoulder, solemn, unspeaking. The ship was moving smoothly with faint sound. The steel of the hull creaked. The war in the Pacific was not like the rest of it. The distances alone were enormous. There was nothing but days on end of empty sea and strange names of places, a thousand miles between them. It had been a war of many islands, of prying them from the Japanese, one by one. Guadalcanal, which became a legend. The Solomons and the Slot. Tarawa, where the landing craft ran aground on reefs far from shore and the men were slaughtered in enemy fire dense as bees, the horror of the beaches, swollen bodies lolling in the surf, the nation’s sons, some of them beautiful. In the beginning with frightening speed the Japanese had overrun everything, all of the Dutch East Indies, Malaya, the Philippines. Great strongholds, deep fortifications known to be impregnable, were swept over in a matter of days. There had been only one counter stroke, the first great carrier battle in the middle of the Pacific, near Midway, where four irreplaceable Japanese carriers went down with all their planes and veteran crews. A staggering blow, but still the Japanese were relentless. Their grip on the Pacific would have to be broken finger by iron finger. The battles were endless and unpitying, in dense jungle and heat. Near the shore, afterwards, the palms stood naked, like tall stakes, every leaf shot away. The enemy were savage fighters, the strange pagoda-like structures on their warships, their secret hissing language, their stockiness and ferocity. They did not surrender. They fought to the death. They executed prisoners with razor swords, two-handed swords raised high overhead, and they were merciless in victory, arms thrust aloft in mass triumph. By 1944, the great, final stages had begun. Their object was to bring the Japanese homeland within range of heavy bombers. Saipan was the key. It was large and heavily defended. The Japanese army had not been defeated in battle, disregarding the outposts—New Guinea, the Gilberts, places such as that—for more than 350 years. There were twenty-five thousand Japanese troops on the island of Saipan commanded to yield nothing, not an inch of ground. In the order of earthly things, the defense of Saipan was deemed a matter of life and death. In June, the invasion began. The Japanese had dangerous naval forces in the area, heavy cruisers and battleships. Two marine divisions went ashore and an army division followed. It became, for the Japanese, the Saipan disaster. Twenty days later, nearly all of them had perished. The Japanese general and also Admiral Nag Afficher moinsAfficher plus

Détails du livre

Titre complet
All That Is: A Novel.
Editeur
Vintage
Format
Broché
Publication
28 janvier 2014
Pages
369
Taille
20.3 x 13.2 x 2.1 cm
Poids
280
ISBN-13
9781400078424
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