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The Atrocity Archives

  • The Atrocity Archives
Le Pitch
Présentation de l'éditeur The first novel in Hugo Award-winning author Charles Stross's witty Laundry Files series. Bob Howard is a low-level techie working for a super-secret government agency. While his colleagues are out saving the world, Bob's under a desk restoring lost data. His world was dull and safe - but then he went and got Noticed. Now, Bob is up to his neck in spycraft, parallel universes, dimension-hopping terrorists, monstrous elder gods and the end of the world. Only one thing is certain: it will take more than a full system reboot to sort this mess out . . . Extrait ACKNOWLEDGEMENTS Authors write, but not in a vacuum. Firstly, I owe a debt of gratitude to the usual suspects—members of my local writers workshop all—who suffered through first-draft reading hell and pointed out numerous headaches that needed fixing. Paul Fraser of Spectrum SF applied far more editorial muscle than I had any right to expect, in preparation for the original magazine serialization; likewise Marty Halpern of Golden Gryphon Press, who made this longer edition possible. Finally, I stand on the shoulders of giants. Three authors in particular made it possible for me to imagine this book and I salute you, H. P. Lovecraft, Neal Stephenson, and Len Deighton. IntroductionCHARLIE’S DEMONS “THE ATROCITY ARCHIVE” IS A SCIENCE FICTION novel. Its form is that of a horror thriller with lots of laughs, some of them uneasy. Its basic premise is that mathematics can be magic. Its lesser premise is that if the world contains things that (as Pratchett puts it somewhere) even the dark is afraid of, then you can bet that there’ll be a secret government agency covering them up for our own good. That last phrase isn’t ironic; if people suspected for a moment that the only thing Lovecraft got wrong was to underestimate the power and malignity of cosmic evil, life would become unbearable. If the secret got out and (consequently) other things got in, life would become impossible. Whatever then walked the Earth would not be life, let alone human. The horror of this prospect is, in the story, linked to the horrors of real history. As in any good horror story, there are moments when you cannot believe that anyone would dare put on paper the words you are reading. Not, in this case, because the words are gory, but because the history is all too real. To summarise would spoil, and might make the writing appear to make light of the worst of human accomplishments. It does not. Read it and see. Charlie has written wisely and well in the Afterword about the uncanny parallels between the Cold War thriller and the horror story. (Think, for a moment, what the following phrase would call to mind if you’d never heard it before: “Secret intelligence.”) There is, however, a third side to the story. Imagine a world where speaking or writing words can literally and directly make things happen, where getting one of those words wrong can wreak unbelievable havoc, but where with the right spell you can summon immensely powerful agencies to work your will. Imagine further that this world is administered: there is an extensive division of labour, among the magicians themselves and between the magicians and those who coordinate their activity. It’s bureaucratic, and also (therefore) chaotic, and it’s full of people at desks muttering curses and writing invocations, all beavering away at a small part of the big picture. The coordinators, because they don’t understand what’s going on, are easy prey for smooth-talking preachers of bizarre cults that demand arbitrary sacrifices and vanish with large amounts of money. Welcome to the IT department. It is Charlie’s experience in working in and writing about the Information Technology industry that gives him the necessary hands-on insight into the workings of the Laundry. For programming is a job where Lovecraft meets tradecraft, all the time. The analyst or programmer has to examine documents with an eye at once skeptical an Afficher moinsAfficher plus

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Le Pitch

Présentation de l'éditeur The first novel in Hugo Award-winning author Charles Stross's witty Laundry Files series. Bob Howard is a low-level techie working for a super-secret government agency. While his colleagues are out saving the world, Bob's under a desk restoring lost data. His world was dull and safe - but then he went and got Noticed. Now, Bob is up to his neck in spycraft, parallel universes, dimension-hopping terrorists, monstrous elder gods and the end of the world. Only one thing is certain: it will take more than a full system reboot to sort this mess out . . . Extrait ACKNOWLEDGEMENTS Authors write, but not in a vacuum. Firstly, I owe a debt of gratitude to the usual suspects—members of my local writers workshop all—who suffered through first-draft reading hell and pointed out numerous headaches that needed fixing. Paul Fraser of Spectrum SF applied far more editorial muscle than I had any right to expect, in preparation for the original magazine serialization; likewise Marty Halpern of Golden Gryphon Press, who made this longer edition possible. Finally, I stand on the shoulders of giants. Three authors in particular made it possible for me to imagine this book and I salute you, H. P. Lovecraft, Neal Stephenson, and Len Deighton. IntroductionCHARLIE’S DEMONS “THE ATROCITY ARCHIVE” IS A SCIENCE FICTION novel. Its form is that of a horror thriller with lots of laughs, some of them uneasy. Its basic premise is that mathematics can be magic. Its lesser premise is that if the world contains things that (as Pratchett puts it somewhere) even the dark is afraid of, then you can bet that there’ll be a secret government agency covering them up for our own good. That last phrase isn’t ironic; if people suspected for a moment that the only thing Lovecraft got wrong was to underestimate the power and malignity of cosmic evil, life would become unbearable. If the secret got out and (consequently) other things got in, life would become impossible. Whatever then walked the Earth would not be life, let alone human. The horror of this prospect is, in the story, linked to the horrors of real history. As in any good horror story, there are moments when you cannot believe that anyone would dare put on paper the words you are reading. Not, in this case, because the words are gory, but because the history is all too real. To summarise would spoil, and might make the writing appear to make light of the worst of human accomplishments. It does not. Read it and see. Charlie has written wisely and well in the Afterword about the uncanny parallels between the Cold War thriller and the horror story. (Think, for a moment, what the following phrase would call to mind if you’d never heard it before: “Secret intelligence.”) There is, however, a third side to the story. Imagine a world where speaking or writing words can literally and directly make things happen, where getting one of those words wrong can wreak unbelievable havoc, but where with the right spell you can summon immensely powerful agencies to work your will. Imagine further that this world is administered: there is an extensive division of labour, among the magicians themselves and between the magicians and those who coordinate their activity. It’s bureaucratic, and also (therefore) chaotic, and it’s full of people at desks muttering curses and writing invocations, all beavering away at a small part of the big picture. The coordinators, because they don’t understand what’s going on, are easy prey for smooth-talking preachers of bizarre cults that demand arbitrary sacrifices and vanish with large amounts of money. Welcome to the IT department. It is Charlie’s experience in working in and writing about the Information Technology industry that gives him the necessary hands-on insight into the workings of the Laundry. For programming is a job where Lovecraft meets tradecraft, all the time. The analyst or programmer has to examine documents with an eye at once skeptical an Afficher moinsAfficher plus

Détails du livre

Titre complet
The Atrocity Archives
Editeur
Ace
Publication
30 décembre 2008
Pages
368
Taille
17 x 10.7 x 2.5 cm
Poids
166
ISBN-13
9780441016686
Livré entre : 24 juillet - 27 juillet
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