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Un conte de deux villes serie #2

Little Dorrit

4.1

(72)

Le Pitch
Présentation de l'éditeur A novel of serendipity, of fortunes won and lost, and of the spectre of imprisonment that hangs over all aspects of Victorian society, Charles Dickens's Little Dorrit is edited with an introduction by Stephen Wall in Penguin Classics. When Arthur Clennam returns to England after many years abroad, he takes a kindly interest in Amy Dorrit, his mother's seamstress, and in the affairs of Amy's father, William Dorrit, a man of shabby grandeur, long imprisoned for debt in Marshalsea prison. As Arthur soon discovers, the dark shadow of the prison stretches far beyond its walls to affect the lives of many, from the kindly Mr Panks, the reluctant rent-collector of Bleeding Heart Yard, and the tipsily garrulous Flora Finching, to Merdle, an unscrupulous financier, and the bureaucratic Barnacles in the Circumlocution Office. A masterly evocation of the state and psychology of imprisonment, Little Dorrit is one of the supreme works of Dickens's maturity. Stephen Wall's introduction examines Dickens's transformation of childhood memories of his father's incarceration in the Marshalsea debtors' prison. This revised edition includes expanded notes, appendices and suggestion for further reading by Helen Small, a chronology of Dickens's life and works, and original illustrations. Charles Dickens is one of the best-loved novelists in the English language, whose 200th anniversary was celebrated in 2012. His most famous books, including Oliver Twist, Great Expectations, A Tale of Two Cities, David Copperfield and The Pickwick Papers, have been adapted for stage and screen and read by millions. If you enjoyed Little Dorrit, you might like Dickens's Barnaby Rudge, also available in Penguin Classics. Extrait Chapter 1: Sun and Shadow Thirty years ago, Marseilles lay burning in the sun, one day. A blazing sun upon a fierce August day was no greater rarity in southern France then, than at any other time, before or since. Every thing in Marseilles, and about Marseilles, had stared at the fervid sky, and been stared at in return, until a staring habit had become universal there. Strangers were stared out of countenance by staring white houses, staring white walls, staring white streets, staring tracts of arid road, staring hills from which verdure was burnt away. The only things to be seen not fixedly staring and glaring were the vines drooping under their load of grapes. These did occasionally wink a little, as the hot air barely moved their faint leaves. There was no wind to make a ripple on the foul water within the harbor, or on the beautiful sea without. The line of demarcation between the two colors, black and blue, showed the point which the pure sea would not pass; but it lay as quiet as the abominable pool, with which it never mixed. Boats without awnings were too hot to touch; ships blistered at their moorings; the stones of the quays had not cooled, night or day, for months. Hindoos, Russians, Chinese, Spaniards, Portuguese, Englishmen, Frenchmen, Genoese, Neapolitans, Venetians, Greeks, Turks, descendants from all the builders of Babel, come to trade at Marseilles, sought the shade alike—taking refuge in any hiding-place from a sea too intensely blue to be looked at, and a sky of purple, set with one great flaming jewel of fire. The universal stare made the eyes ache. Towards the distant line of Italian coast, indeed, it was a little relieved by light clouds of mist, slowly rising from the evaporation of the sea; but it softened nowhere else. Far away the staring roads, deep in dust, stared from the hillside, stared from the hollow, stared from the interminable plain. Far away the dusty vines overhanging wayside cottages, and the monotonous wayside avenues of parched trees without shade, drooped beneath the stare of earth and sky. So did the horses with drowsy bells, in long files of carts, creeping slowly towards the interior; so did their recumbent drivers, when they were awake, which rarely Afficher moinsAfficher plus

Un conte de deux villes serie #2

Little Dorrit

4.1

(72)

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Le Pitch

Présentation de l'éditeur A novel of serendipity, of fortunes won and lost, and of the spectre of imprisonment that hangs over all aspects of Victorian society, Charles Dickens's Little Dorrit is edited with an introduction by Stephen Wall in Penguin Classics. When Arthur Clennam returns to England after many years abroad, he takes a kindly interest in Amy Dorrit, his mother's seamstress, and in the affairs of Amy's father, William Dorrit, a man of shabby grandeur, long imprisoned for debt in Marshalsea prison. As Arthur soon discovers, the dark shadow of the prison stretches far beyond its walls to affect the lives of many, from the kindly Mr Panks, the reluctant rent-collector of Bleeding Heart Yard, and the tipsily garrulous Flora Finching, to Merdle, an unscrupulous financier, and the bureaucratic Barnacles in the Circumlocution Office. A masterly evocation of the state and psychology of imprisonment, Little Dorrit is one of the supreme works of Dickens's maturity. Stephen Wall's introduction examines Dickens's transformation of childhood memories of his father's incarceration in the Marshalsea debtors' prison. This revised edition includes expanded notes, appendices and suggestion for further reading by Helen Small, a chronology of Dickens's life and works, and original illustrations. Charles Dickens is one of the best-loved novelists in the English language, whose 200th anniversary was celebrated in 2012. His most famous books, including Oliver Twist, Great Expectations, A Tale of Two Cities, David Copperfield and The Pickwick Papers, have been adapted for stage and screen and read by millions. If you enjoyed Little Dorrit, you might like Dickens's Barnaby Rudge, also available in Penguin Classics. Extrait Chapter 1: Sun and Shadow Thirty years ago, Marseilles lay burning in the sun, one day. A blazing sun upon a fierce August day was no greater rarity in southern France then, than at any other time, before or since. Every thing in Marseilles, and about Marseilles, had stared at the fervid sky, and been stared at in return, until a staring habit had become universal there. Strangers were stared out of countenance by staring white houses, staring white walls, staring white streets, staring tracts of arid road, staring hills from which verdure was burnt away. The only things to be seen not fixedly staring and glaring were the vines drooping under their load of grapes. These did occasionally wink a little, as the hot air barely moved their faint leaves. There was no wind to make a ripple on the foul water within the harbor, or on the beautiful sea without. The line of demarcation between the two colors, black and blue, showed the point which the pure sea would not pass; but it lay as quiet as the abominable pool, with which it never mixed. Boats without awnings were too hot to touch; ships blistered at their moorings; the stones of the quays had not cooled, night or day, for months. Hindoos, Russians, Chinese, Spaniards, Portuguese, Englishmen, Frenchmen, Genoese, Neapolitans, Venetians, Greeks, Turks, descendants from all the builders of Babel, come to trade at Marseilles, sought the shade alike—taking refuge in any hiding-place from a sea too intensely blue to be looked at, and a sky of purple, set with one great flaming jewel of fire. The universal stare made the eyes ache. Towards the distant line of Italian coast, indeed, it was a little relieved by light clouds of mist, slowly rising from the evaporation of the sea; but it softened nowhere else. Far away the staring roads, deep in dust, stared from the hillside, stared from the hollow, stared from the interminable plain. Far away the dusty vines overhanging wayside cottages, and the monotonous wayside avenues of parched trees without shade, drooped beneath the stare of earth and sky. So did the horses with drowsy bells, in long files of carts, creeping slowly towards the interior; so did their recumbent drivers, when they were awake, which rarely Afficher moinsAfficher plus

Détails du livre

Titre complet
Little Dorrit
Format
Broché
Publication
25 septembre 2003
Pages
1024
Taille
19.7 x 12.8 x 5.7 cm
Poids
695
ISBN-13
9780141439969
Livré entre : 24 juillet - 27 juillet
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